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Santo y Blue Demon contra Dracula y el Hombre Lobo (1. Home Video Reviews. For American moviegoers weaned on comic books and superheroes like Superman and The Hulk, the name El Santo might not ring a bell. But in Mexico, there is no greater cultural icon. An invincible wrestler who is never seen without his trademark silver mask, Santo stands as an incorruptible force of goodness, one who is eternally pledged to battle the forces of darkness. Over the course of countless films that first began in the late fifties, Santo became a box office phenomenon in his native Mexico while making mincemeat of zombies, werewolves, mummies, vampires and opponents who fought dirty in the ring. Now, thanks to Rise Above Entertainment, you can tap into this unique subculture with The Santo Collection: The Monster Box, a four disc set that includes some of the action hero's most fantastic encounters. It's a bit of a challenge to pick a favorite since all four DVDs have jaw- dropping moments that will have you hitting the replay button on your controls again and again. Watch Santo y Blue Demon vs Dracula y el Hombre Lobo (1973) Movie Online For Free Santo y Blue Demon vs Dr. Dracula and the Wolf Man'). Dracula and the Wolf Man. Dracula and El Hombre Lobo. Dracula and El Hombre Lobo. Dracula and El Hombre Lobo (1973). Easy buddy, no need to rush. This movie has not been released yet. This movie will be released on January 1, 1970 Simply create a free account now and we'll let you. With Santo, Blue Demon, Aldo Monti. Visit IMDb for Photos, Showtimes, Cast, Crew, Reviews, Plot Summary, Comments, Discussions, Taglines, Trailers, Posters, Fan Sites. But, for the record, the titles include Santo Contra la Hija de Frankestein, Santo en La Venganza de la Momia, Santo Y Blue Demon Contra Dracula Y El Hombre, and Santo Y Blue Demon Contra Dr. Frankenstein - all of which are reviewed below under their English titles. Dracula returns to rule the world. Santo y Blue Demon vs. Demon Vs Dracula y El Hombre Lobo DVDRip 1973. Blue Demon Vs Dracula y El Hombre Lobo. Santo y Blue Demon contra Dracula y el Hombre Lobo / Santo & Blue Demon Vs. Dracula And El Hombre. Mexiko 1973: Land: Miguel. Dracula macht sich an Lina heran. You should also be aware that each DVD can be purchased separately and all of them carry the same extras: optional English subtitles (some . Typical of the latter, we learn in the insert for Santo en La Venganza de la Momia that Agapito is played by Jorge Guzman, one of El Santo's real- life sons (he would later become a professional wrestler and movie star like his father.) Santo vs. Frankenstein's Daughter (1. Santo film that is an enjoyable pastiche mixing horror, drug addiction, glamour, and fisticuffs. It also surprisingly displays perhaps the most overt depiction of a Santo love interest, Norma, a Jill St. John- like female lead (Lucy Gallardo). This is emphasized quite forcefully at the outset, as she spasmodically writhes on the edge of her bed two feet from her TV screen, incessantly blurting exclamations of love and adoration as she watches Santo beat some poor slob to a fleshy pulp. But how is a babe like this going to connect with a guy who speaks about seven sentences all day? The story is an exercise in female obsession; Freda Frankenstein is a maniacal scientist with an evil crew and a secluded cavernous hideaway. She injects herself with a special red serum to keep her looking pretty fabulous, especially if you like Nancy Sinatra in knee- high red boots. She dispatches her henchmen to kidnap Santo's girlfriend to lure him to the hideaway. She needs his unusual blood to supplement the serum, which is quickly losing its effectiveness. The last half is total pandemonium with chases a- plenty. Freda's monster and a Dr. Moreau- like beast- man duke it out with Santo and, in a nice twist, the Frankenstein monster remains faithful to the Mary Shelley original and turns on its creator, despite a bleeding hole in his stomach and one of Santo's nice silver turtlenecks wrapped around him like a big band- aid. The film is notable for its modest budget (you can hear an echo in the threadbare laboratory scenes) and a superior villain, played by one great Gina Romand, who leaves the scenery chewed, tattered and smeared with pink lipstick. She's often orphaned with lines such as . Another wonderful moment in this film comes when she captures Santo, chains him up, comes on to him, barks violently at his rebuke, and removes his mask (only to be immediately seduced again). It's one of the rare moments in which Santo's identity is slightly revealed, and her expression is a sort of lusty shock; it's a beautifully vicarious movie moment that captures what almost any female fan might feel at confronting the real man behind the Silver Mask. In fact, it also explains what Norma sees in Santo. Earlier in the film she had confessed to her sister Elsa, . The print quality of Santo vs. Frankenstein's Daughter is quite good, with a minimum of specks and scratches. And the audio is something else, a non- stop cacophony of agonized screams, moans, grunts and bodies being assaulted. This is especially true if Fear is a 7 foot dead mummified corpse wielding a deadly bow and arrow and belonging to Nonoc - one pissed- off dead Aztec prince. Possibly the most atypical entry in the boxed set, Santo in the Vengeance of the Mummy (1. Agatha Christie's Ten Little Indians; one critic recently described it as a remake of Death Curse of Tartu (1. This movie opens, like most of the Santo films, with a high- energy wrestling match but this one is highlighted by some rather surprising hand- held camera shots that capture our masked hero using the flying lock, the scissors, the double combination and other sure- fire offensive moves on the Italian tag team of Gory Casanova and Angelo. Once the match is over though, we get right down to business with Santo accompanying a team of explorers into Opalche Indian territory. Providing comic relief is the practically blind anthropology professor Jimeniz (he mistakes a cow for a horse, etc.). Also along for the journey is Sergio (an engineer), Rosa (the professor's secretary - to take notes?), Agapito (a precocious kid), a bunch of disposable equipment carriers and Susana (a photographer), who begins a flirtation with Santo rather late in the film. As the expedition plows ahead through the lush jungle, Santo wields his mighty machete to chop down two- foot- tall garden shrubs in what looks like prime resort property. He's also briefly sidetracked by a black panther, catapulted at him by stagehands like a sack of potatoes. And then, there's the top- billed killer mummy (good mask!) who starts picking off the safari members, one by one - and when he has to, he can gingerly hop away unlike the slow moving mummies we've seen in the Universal horror pictures. Several sequences stand out here: a flashback to the 'Feast of Sinam' looks like a reenactment of some strange Aztec ceremony and is quite different from the Egyptian iconography used in the Hammer studio mummy series. There's also an unexpected bonding scene between the orphaned Agapito and Santo who comforts the tearful boy with these macho sentiments: . By the way, the real mummy makes a comic entrance at the finale, plopping down from a tree like a dime store Halloween display. You half- expect Santo to stuff him in a mule sack and trudge off. And yes, there's also another wrestling match after the survivors return to civilization where Santo triumphs over El Bufalo, all 2. Of course, Santo isn't exactly petite himself but shouldn't all superheroes be big and beefy? In terms of picture quality, the print, despite the rather battered- looking opening credits, looks very good, with rich saturated colors and a relatively clean audio mix. The music score (by Gustavo C. Carrion) is particularly effective, going from eerie organ riffs to a spaghetti Western guitar sound. Just like its title, Santo & Blue Demon vs. Dracula & the Wolf Man (1. We've got our two masked heroes squaring off against a sickly looking European count and Rufus Rex, a guy carrying the full moon curse. The plot this time revolves around the dagger of Boidros, a magical weapon that has the power to destroy supernatural evil. Dracula wants to make sure it's removed from Professor Cristaldi's household so he can avenge a 4,0. Cristaldi's forefather had Dracula and Rufus killed and permanently sealed in coffins for eternity). Of course, there wouldn't be a movie without their revival so we have Eric, an inept treasure hunter, resurrecting the monsters with the blood of the murdered Professor. This sequence is very similar to a sacrificial killing performed in the Hammer horror film, Dracula - Prince of Darkness (1. Dracula's corpse. It's fairly gruesome for a Santo flick. But there are other creepy scenes as well such as the weird camera pan along a cave wall where we see numerous chained male and female victims, waiting to be drained of blood. In terms of monster screen time, the vampires dominate here and that includes scenes with a tacky rubber bat on a string. Overall, Santo & Blue Demon vs. Dracula & the Wolf Man is quite atmospheric and there are occasional shots that mirror the work of Mario Bava (a nighttime garden sequence recalls the opening of Blood and Black Lace, 1. Hammer Dracula films. The English subtitles are particularly fun here and will crack you up at the most unexpected moments. One of the funniest occurs when Blue Demon, imprisoned by Dracula, gives his whereabouts to Santo via his nifty wrist transmitter: . You can get in through a fake cupboard in one of the rooms.? Other favorite moments? As the little girl, Rosita, is being escorted to her doom through a skeleton filled cavern, she remarks rather dryly, . Dracula & the Wolf Man doesn't disappoint and there's a hilarious scene where our masked heroes are rescued from being unmasked (a situation that almost occurs in every Santo movie) by a gorgeous woman driving a forklift. Still, it's the quieter scenes that are often the nuttiest. What's more bizarre than seeing Santo and Blue Demon in their full regalia enjoying a quiet, relaxing game of chess at home? In terms of visual quality, the DVD of Santo & Blue Demon vs. Dracula & the Wolf Man is rough in spots (print scratches, sprocket damage, bad splices) but the color is still striking at times and, quite frankly, it's rare to see an obscure title like this look as good as it does. Opening with a brain transplant gives just about any film significant chops. Santo and Blue Demon vs. Frankenstein (1. 97. Dr. Frankenstein silently strolls into the opening scene wearing a bright surgical mask (he's just emerged from his vast luminescent polished steel bunker) that, well, the Man in the Silver Mask has got some serious competition in the shiny silver obsession category. The storyline is total mishmash. Established in 1977, Sea Shepherd Conservation Society (SSCS) is an international non-profit, marine wildlife conservation organization. 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